Posts Tagged ‘music production’

Awesome Sound Requires Technical Excellence Like M-Audio Studiophile AV 40 Speakers

January 22nd, 2012

It seems like invention of the computer and digital possibilities they came with a changed just about everything especially in the home entertainment world. Music systems resembled furniture, whereas now exceptional audio files come from devices smaller than our hand. Listening to them still requires a sound producing element and M-Audio Studiophile AV 40 speakers provide an excellent output.

The technology behind creating recordings of music and voice has changed radically in the past half-century. Just as computers once filled the room sound machines were large bulky and expensive. Now, thanks to silicon chips and miniaturization in general, they size of the recorder or player is more a matter of style than capability.

Even the way we use our entertainment systems has changed with people carrying with them listen to them while they jog, walk or work. In order to keep from disturbing people around them many people use ear buds, tiny amplifiers that allow listening in private. But when it comes to truly enjoying or sharing the music, the amplifier has to be well-made, quality equipment.

The human ear functions by way of the membrane known as the eardrum. When air is moved in waves it causes the membrane to vibrate, and this vibration is interpreted by the brain as sound. Amplifiers of any type function by recreating recorded waves which vibrate and activate the eardrum physically. The key to good sound then is the ability to produce waves that activate the tympanic membrane as natural sound does.

Amplifiers come in different sizes as larger cones vibrate more slowly to produce longer waves and smaller condoms vibrate faster generating higher frequencies. There are also comes that are targeted for the middle of the audible spectrum. The large cones are called woofers, small ones tweeters and those frequencies between the two are called mid-range.

Earphones or buds create waves through tiny oscillating diaphragms, and while the sound is transmitted, its quality is low. Amplifiers vary in quality based on their ability to recreate the original waves without adding mechanical sounds called noise produced in the replication. A larger speaker does not necessarily produce better quality, but it can produce greater volume.

When it comes to deciding which amplifiers are best for the computer desktop in your home, it depends on your usage. If you are a part time disk jockey or intend to record, you will want a high quality system. For the money, a set of M-Audio Studiophile AV 40 speakers provide professional level quality a reasonable price.

Learn about the benefits of the M-Audio Studiophile av 40 today! You can get complete information about how to choose the M-audio speakers that will meet all of your needs now!

Drum Samples – Sequencing and Bars

March 30th, 2010

The number of bars used when sequencing drum samples can vary quite a lot. Usually, the total number of bars will be equal to the length of the song as a whole, and if you’re making loops to start with, it can be a bit more complicated.

One of the most common looping numbers of bars is four. This is usually enough to develop an indicative portion of a song, and then four bars can give groove, tempo and feel to a song, and so is great as a foundation or ’skeleton’ sample. The drum samples in the four bar loop can be organized as one total unique sample, with each bar being totally different from the last. However, most music producers in rap and RnB prefer to keep some element of comfort with the listener, and variance is the keyword. Varying drums from bar to bar using changes towards the end or velocity is much more effective at not inducing stress into your listener.

The second most popular number of bars to base a musical loop on is sixteen. Why is this? Well, in hip hop and rap, 16 bars is the standard length for a rapper’s verse. So it turns out that using this figure to structure a loop on is great. Your creative limits are really tested, and to keep things moving through the whole verse length can be quite a challenge. One common tip is to introduce the hi-hats at the half-way point, and this will add another layer to the variance required to develop a great beat. At the end, start working on your pre-chorus skills.

Looking beyond drum samples can expand your horizon a little bit and it actually opens a whole bunch of doors. One common switch-up in a 16 bar loop, for example, is the introduction of a new instrument after 8 bars instead of anything drum-related. However, at this point – or anywhere else in the loop – you could mix up the drums to coincide with this change, and this can be very powerful.

You can even try to see past the instruments and drum hits if you’re serious about arranging a masterpiece. Think vocals! Common techniques include allowing the singer or rapper to vocalize the first few bars in a very boring, monotonous way, before really showering in the feeling after that. Again, anything that keeps the listener guessing is viable.

Drum samples are one of the easiest ways to introduce variance, as it requires no extra input on the vocalist’s part and can accentuate vocal parts and instruments without anything being different in those departments.

Are you after the best drum samples on the net? Check out drum sounds for all your music production needs.